![]() ![]() One of Olivia’s staff members, a C.I.A.-trained assassin and torturer, sits in on A.A. The president personally murdered a Supreme Court justice. Three women, a gay man and a sleazy oil baron successfully stole a presidential election. ![]() In the second season, there has been a waterboarding, an assassination attempt and a mail bomb. By the end of the first season, however, when the chief of staff was hiring an assassin to kill a former intern who slept with the president, the show had revealed itself to be much wilder than it initially seemed, a brash, addictive mixture of Douglas Sirk and realpolitik, and TV’s most outrageous spectacle. When “Scandal,” which is based very, very loosely on the life of the Washington crisis manager Judy Smith, had its debut last spring, it appeared to be a standard soapy procedural with a fizzy twist: the main character, the fierce Olivia Pope (Kerry Washington), was having a torrid interracial affair with the president of the United States, a Republican named Fitzgerald Grant (Tony Goldwyn). ![]() ![]() In the best way.” Ten of the writers - seven men, three women, five plaid button-down shirts and two pairs of outsize hipster glasses frames - were sitting in her bright Hollywood office, pens in hand, scripts in laps, going through notes for the 20th episode of “Scandal,” Rhimes’s gonzo political melodrama, which is about to finish its second season on ABC. “I love that the gay White House chief of staff is threatening to pretend the first lady is a closeted lesbian,” Shonda Rhimes said to a roomful of writers. ![]()
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